[A2k] Paris TACD Meeting: Draft 'understanding' on RMI and TPMs

[Michelle Childs]

Thanks Philippe- very helpful.
Michelle
> My 2 bits on the question asked by Michelle :
>
> The ability to use anonymised data for remuneration schemes depends not s=
o
> much on the nature of media than on the nature of users. If they are
> commercial entities such as broadcast or publishing instead of
> non-commercial
> personal users, it is likely that one wants to stick to the traditional
> "pay
> based on usage by a given entity" models. When it is the case, the
> transaction costs involved become acceptable for all parties (which does
> not
> mean there are no conflicts).
>
> What is truly media-dependent is things like the value chain (for instanc=
e
> the
> role fo producers), the size of upfront investment, and the role of media
> chronology (specific to feature film and some types of other moving image
> content). This means that the type of alternative compensation schemes
> that
> can work is media dependent. Let's not jump in one-size-fits-all solution=
s
> also on our "side". However, when one has ensured the possibility of a
> "pay
> based on statistical access or upload" scheme for a given media, it can b=
e
> based on anonymised data.
>
> Finally, it will be inevitably more and more difficult to maintain media
> chronology in the long run. So the situation will evolve also for film fo=
r
> instance. No need to rush it. Much more urgent to acknowledge and support
> new
> forms of film creation at lower cost.
>
> Philippe
>
> Le Mardi 6 Juin 2006 15:58, Michelle Childs a =E9crit :
>> In relation to the privacy issues I support Phillipe's points in
>> relation
>> to anonymised data. =A0Would this solution work across all media?
>>
>> While the initial draft is in relation to music, but we need to check
>> any
>> models against other areas as Jamie pints out, for example publishing,
>> as
>> the issues m
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Michelle Childs -Head of European Affairs
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